犹太裔法国女作家伊莱娜·内米洛夫斯基被西方文学界誉为“她那个时代最具天赋”的作家。童年时期的阴影促使作家踏上了对“母性”的批判和对“女人天性”的自省之路,奠定了她以“丑”为出发点的母性审美视角。恶母是她笔下母亲形象的主流,而碎片式的慈母形象则是对恶母的补充与消解。作家通过构建以丑恶为基调、以善美为点缀的母性世界,展示了人性的矛盾与冲突,对女性自身不完美的精神世界进行了反思和批判。 Jewish French writer Irina Nemilovsky was praised by western literary world as “her most talented ” writer. The shadow of childhood promotes the writer to embark on the criticism of “maternity ” and the introspection of “woman ’s nature ”, has established her maternity aesthetic angle of view “ugly ” as the starting point. The mother of the witch is the mainstream of her mother’s image in her pen. The fragmented mother-like image supplements and dissolves the mother-in-law. By constructing a maternity world with ugly as the keynote and beautifying the beauty, the writer shows the conflicts and contradictions of human nature and makes reflection and criticism on the imperfect spiritual world of women.