凡是画家便一定要有创新之念,不过,中国山水画创新的难度几乎不言自明。一者,不但传统笔墨程式稳固完善,画境格调更是仰之弥高,两者皆难以逾越;二者,当下目睹之景,早已失却于喧哗躁动、非传统画家体味的静态自然。如何用新笔调表现新情景,并妥帖安放一份精神情怀,着实让画家犯难。青年国画家孙涤,汇入当下中国画创新的主流,行进于一条传统与当代融合的道路,近年来其画作逐日有了耐人寻味的新气象、意味。她的山水画,将传统文人画的趣味与当代艺术语言的形式加以调和;或说,将传统中国画的表现要素与抽象语言加以整合衔接,坚守着散淡、纯净、超然的传统气质,探索着意象山水的新路。孙涤重视传统,对明清山水画心慕手追,她青睐“四僧”之画,尤爱髡残,但并不以追求模仿其面貌为目的,而是着意于其作画挥洒与超拔之境界。对传统的研究与吸 All painters must have the idea of ​​innovation, however, the difficulty of Chinese landscape painting innovation almost self-evident. One is that not only the traditional pen and ink program has been steadily improved, but the style of the painting has become more elevated. Both of them are hard to surpass; the two witnesses to the moment have long since lapsed into the static nature of the noisy and restless non-traditional painter. How to use the new style to express the new scene, and properly placed a spiritual feeling, really painter painful. Sun Di, an artist in the youth, merged into the mainstream of contemporary Chinese painting innovation and marched into a road of integration between tradition and contemporary times. In recent years, his painting has an intriguing new atmosphere and meaning. Her landscape painting reconciles the taste of the traditional literati with the contemporary art language, or integrates the performance elements of traditional Chinese painting with the abstract language, adheres to the dismal, pure, detached traditional temperament and explores images Landscape of the new road. Sun Di pays attention to the tradition and admires the Ming and Qing dynasties’ landscape paintings. She favors the painting of “Four Monks”, especially for the sake of imitating her appearance. The realm. Traditional research and absorption