山城八月,江天寥廓,满目青翠。陋室窗下,回首我日日相与为友的书法伙伴,拣拾片段所想如下。汉字本身的构造过程中遵循着一套异常严格的法则。他包含着人类的审美意识和建筑学的构造原理,这些都是为了均衡和变化的需要。书法家在此空间限制和笔迹依托之外,还有另一个途径可供开拓,那便是有关书写过程中的自由。然而这个自由的程度又相当有限,他不但要受来自审美和书写原则的制约,而且由于过分的个人化则会失去可资成立的 Mountain in August, Jiang Tian boundless profile, everywhere green. Under the shabby window, look back at my calligraphy partners, daily and friends, pick up the fragment as below. The construction of Chinese characters itself follows an exceptionally strict rule. He contains the human aesthetic awareness and architectural principles of architecture, these are for a balanced and changing needs. There is another way for calligraphers to explore beyond the limits of space and handwriting, which is the freedom of writing. However, this degree of freedom is rather limited. He is not only constrained by principles of aesthetic and writing but also can not be funded due to excessive personalization