冯氏幽默以普通人的生存状态触及社会主体的历史记忆,以中国传统文化挖掘人的生存之道,以标榜冯氏幽默的技巧与形式打造社会主体的狂欢派对。这与巴赫金狂欢化理论有着相似之处。新世纪十年已过,冯氏幽默似乎渐隐,这种转型是否预示着冯氏幽默的终结,抑或是新序幕的豁然大开,仍是值得探讨的问题。 Feng’s humor touched the historical memory of social subjects with the living conditions of ordinary people, tapped the way of human existence with Chinese traditional culture, and built the rave parties of social subjects with the tips and forms of Feng’s humor. This is similar to the Bakhtin carnival theory. Ten years have passed in the new century and Feng’s humor seems to fade away. Whether this transformation indicates the end of Feng’s humor or the sudden opening of a new prelude remains a question worth exploring.