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当代柴烧着重体现一般光洁精致的陶瓷器皿所不能表现的粗犷质朴,其本身体现着哲学思想与人文精神相结合的美学角度。柴烧作品所具备的不确定性能够给人带来的不可预估的惊喜,这是其他陶瓷器皿所不能及,与此同时也要求当代柴烧陶艺在材料、技法、环境和审美上更具备包容性。本论文突破了以往对当代柴烧的研究方式,侧重于对其审美包容性的研究,它将柴烧技法﹑当代审美与陶瓷语言的融合通过最终的柴烧作品对主题进行了系统的探索。笔者通过对柴烧陶艺制作过程的掌握及柴烧审美内涵的理解,就当代柴烧的审美包容性问题进行分析和研究。
The contemporary firewood emphasizes the ruggedness and simpleness that can not be exhibited by ordinary bright and clean ceramic ware, which manifests itself as the aesthetic point of view combining philosophy and humanistic spirit. The unpredictable surprises that come with the uncertainty of wood burning work are unattainable by other ceramic wares, while at the same time requiring contemporary firewood pottery to be more material, technical, environmental and aesthetic tolerance. This dissertation breaks through the previous research methods of contemporary firewood, focusing on the study of its aesthetic inclusiveness. It systematically explores the theme through the fusion of firewood technique, contemporary aestheticism and ceramic language. Through the mastery of firewood pottery making process and the comprehension of the aesthetic connotation of firewood burning, the author analyzes and studies the aesthetic tolerance of contemporary firewood.