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泉镜花是日本文学史上唯一横跨明治,大正,昭和三个时期,浪漫主义文学的代表作家,他的创作生涯长达四十多年,所写小说,戏剧,随笔不下五百多篇。他继承日本传统文学的基础上,吸取西方文学和中国古典文学的精华,以独特的浪漫主义创作手法丰富了日本文学。泉镜花笔下的妇女,大多是被封建势力残余势力下束缚的弱小群体,本文通过对泉镜花文学作品的分析,进而探讨泉镜花眼中的女性观与恋爱观。
Spring Mirror Flower is the only representative writer of romantic literature across the three periods of Meiji, Taisho and Showa in the history of Japanese literature. His creative career spanned more than 40 years. His novels, novels and no less than 500 essays were written. Based on the traditional Japanese literature, he absorbed the essence of Western literature and Chinese classical literature and enriched Japanese literature with unique romanticism. The women under spring fountain pen are mostly the weak groups that are bound by the remnants of the feudal forces. Based on the analysis of the spring flower literary works, this paper explores the female view and the love affair in Spring Flowers.