论文部分内容阅读
审美艺术中“兴”的应用与否及应用数量，是考察诗创作年代的一个明显的标志。本文通过对《诗经》各部分兴诗的定量分析，认为《魏风》非春秋时许，《商颂》作于西周时宋，《桧风》不应作于西周时，《幽风》创作下限到了春秋初期，“二南”是东周南方诗。
The application or not of the “Xing” in the aesthetic arts and the number of applications are an obvious symbol of the poem’s creation. Through the quantitative analysis of the poems in different parts of The Book of Songs, this essay holds that “Wei Feng” is not the Spring and Autumn Period when “Shang Song” was written in the Western Zhou Dynasty and the Song Dynasty. Lower limit to the early Spring and Autumn, “South” is the Southern Zhou Dynasty poetry.