1879年,挪威剧作家易卜生(Henrik Ibsen,1828-1906)在其戏剧作品《玩偶之家》(A Doll’s House)中成功塑造了“娜拉”这一女性角色。剧中主要描写的是娜拉对自己的丈夫从爱到恨的转变,以及通过离家出走的方式,摆脱玩偶地位的自我觉醒过程。当首演过后,剧中娜拉与丈夫的辩论引发了很多观众的深思,“丈夫问,你忘了你作为一个母亲和妻子的义务了吗?娜拉反问,那我作为自己的义务呢?……”如今,一百多年过去了,在我们每个家庭中,男人与女人之间这样的对话是否 In 1879, Norwegian playwright Henrik Ibsen (1828-1906) succeeded in shaping the female character “Nora” in his dramatic play A Doll’s House. The main depiction of the play is Nora’s transformation from love to hate to her husband and the process of self-awakening out of doll’s status through the way of running away from home. When the debut, the drama Nora and her husband’s debate triggered a lot of audience thinking, “husband asked, did you forget your obligation as a mother and wife? Nora asked, then I as their own obligations ... ... ”Today, more than a hundred years have passed. In each of our families, is such a dialogue between men and women whether