回顾历史,工笔画与绘画同生。最古的岩画、彩陶图纹都施重彩,力求规整;间有粗疏,是力所未能,与后世写意全异,是历史局限。因其时纸笔尚未发明,水墨写意是在工笔画高度发展后超脱出来的,大约在唐代中期,至宋元而盛。轻工重写、轻彩重墨,与文人画家的鼓吹有关。工写、疏密二体,也是唐代始分。早期工笔画都属人物题材,山水、花鸟都是在唐代由人物画配景而独立成科的。唐以前工笔人物画一直占主体地位,至宋而大备、形成人物、山水、花鸟、工笔、写意、白描、水墨、重彩……百花齐放的局面。 Recalling history, painting and painting with students. The oldest petroglyphs and painted pottery patterns exert heavy weight and strive to be regular; there is an unreasonable gap between past and present, which is beyond the limits of history. Because of the time pen and paper has not yet been invented, ink and wash freehand brushwork is highly detached in the strokes after a high degree of workmanship, about mid-Tang Dynasty, to the Song Yuan and Sheng. Light industry rewrite, light and heavy ink, and advocated by the literati painter. Work write, density two body, but also the beginning of the Tang Dynasty. Early strokes are subject matter, landscapes, flowers and birds are in the Tang Dynasty by the portraiture and independence into a subject. Before the Tang Dynasty Meticulous figure painting has been the dominant position, to the great preparation of the Song Dynasty, the formation of figures, landscapes, flowers and birds, calligraphies, freehand brushwork, white ink, ink, heavy color ...... all flowers bloom situation.