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中国戏曲在漫长的民族文化积淀中,经过千锤百炼的艺术实践,已然形成了一套完备且系统的表演体系,而这一庞大表演体系的核心要旨则是戏曲舞台形象塑造所遵从的形神观。本文通过对戏曲表演形神观的剖析,发掘出立形与传神的手段与途径,厘清形与神在人物塑造过程中的相互关系,明确传神的阶段性变化,并与舞蹈角色表演进行横向比较,试图为舞蹈角色表演方法提供可资借鉴的实践经验与理论依据,以完善舞蹈表演艺术理论体系的构建。
In the long accumulation of national culture, Chinese opera has formed a complete and systematic performance system through its tempered artistic practice. The core purpose of this huge performance system is the concept of “form and spirit” followed by the shaping of opera stage image. Through the analysis of the form and outlook of the theatrical performances, this paper explores the ways and means of establishing the shape and the expressiveness, clarifying the relationship between the form and the god in the process of shaping the characters, and clarifying the stage changes of the expressiveness and making a horizontal comparison with the performance of the dance roles , Trying to provide practical experience and theoretical basis for the dance performance method to improve the theoretical system of dance performance art.