自述:我近年来创作的系列油画完全改变物理性的光影关系,而尝试用“哲学之光”——“虚室生白”来表现光感。在画面的处理上能虚的尽量有序地虚化。同时将有些微妙处尽量画到净之又静,使画面整体上有光而和雾、虚而有明的意象之光。这样无疑使画中文人故事少了点写实味,却在不经意间生发了诗意和禅意,也似乎更接近心性上的真态。随着“光”的改变,“色”也淡去了色相,变得简淡、潇散、温和,不过并不落魄,恰好用来表现我梦中那些漂浮已久的文人故事。用色的最后,我喜欢听 Readme: The series of oil paintings I have created in recent years have completely changed the physical light and shadow relations, and tried to express the sense of light with “Light of Philosophy ” - “Room White ”. In the processing of the screen can be as empty as possible to virtual. At the same time, some subtle places should be drawn as far as possible to the net and the quiet, so that the picture as a whole has the light and fog, the image of the imaginary and bright light. This will undoubtedly make Chinese tales less realistic and tasteless, but inadvertently developed poetic and Zen, it seems closer to the true state of mind. With the change of “Light ”, “color ” also fade hue, become simple, chic, gentle, but not abjection, just used to show those who have long floating in my dream story of the writer . At the end of the color, I like to hear