《变化》奏响了一种类型的奏鸣曲,《海伦》则试图追随希区柯克的足迹;是《宛如青春气息》打动了人们,而《月球》试探了人性是否会像得不到光亮的向日葵,低下高贵的头颅;也许,《有人在吗?》被忽视了。它们属于英国电影的范畴,未必说明这个国家的电影崛起了,但它们清脆的音线,擦刮着英伦三岛的大地,值得人们聆听。所以,这期的杂志,这个栏目,为它们提供了空间。 “Variation” plays a type of sonata, “Helen” tries to follow Hitchcock’s footsteps; impress people with a “youthful flavor,” and Moon asks if human nature will be as bright as possible Sunflowers, the lower noble head; perhaps, “is anyone here?” Neglected. They belong to the category of British cinema and may not necessarily signal the rise of the country’s movies, but their crisp sound lines sweep the shores of the British Isles and deserve to be heard. So, this issue of the magazine, this section, provides them with space.