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在海德格尔预言的“世界图像的时代”1全面来临之际.电脑制作.新媒体技术等信息时代生产图像的新媒介不断涌现。相对于其他画种,版画在创作流程上的内敛性.繁复性都不利于它在这个快餐时代占据有利的地位。版画正在走向边缘化.已成为众多艺术家,批评家心照不宣的事实.“至少在现在这个时期.版画已经暂别政治和资本运作的中心.走向边缘.成为一种在野的画种”2。而工业版画这一特殊的版画题材的生存境况.更能凸显我们时代背景与艺术创作之间关系的变迁.
With Heidegger’s prophecy, “The Age of World Images” 1 is in its infancy, new media technologies such as new media technologies and new images are emerging. Compared with other types of paintings, print flow in the process of introverted. Sophisticated are not conducive to it in this fast food age occupy a favorable position. Printmaking is moving towards marginalization, and it has become a tacit truth for many artists and critics. “” At least for now, the printmaking has moved away from the center of political and capital operations. 2. The survival of this special printmaking theme of industrial engraving can highlight the changes of the relationship between our background and artistic creation.