侯勇的“水”并不是一开始就这么抽象的,最初的“水”在他的画中泛着现实而具体的波浪,有人在水中游泳,激起了水花,并泛着长长的尾流,侯勇小心翼翼地描绘着这些细节。然而,一个最为重要的细节是透视,它意味着有观看者具体的位置,有个人凝视了水面,再把这种凝视交给了观众,仿佛画布所提喻的那一片水蕴涵着无限的意义。 Hou Yong’s “Water” is not abstract from the beginning. The original “Water ” glowed realistic and concrete waves in his paintings. Someone swam in the water, sparkling and glowing Long tail wake, Hou Yong carefully portrayed these details. However, one of the most important details is perspective, which means that there is a viewer-specific position where one person gazes at the water and then gives this gaze to the audience as if the canvas of the metaphorical piece of water implies infinite significance .