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一、引言《聊斋志异》无论文学技巧还是思想水平都堪称我国志怪题材小说的高峰,作者蒲松龄常用人与仙妖狐怪之间真幻相生的故事或切入时代肌理直陈其弊,或冷嘲人性之堕落沉沦,或讴歌狐怪的至情至性。其中,涉及婚恋题材的作品占整部小说的四分之一,引起学者的广泛研究,有从心理学角度探讨蒲松龄的婚恋观念和创作心理,有从文本层面梳理作品中的女性形象,探讨婚恋观念,但鲜有人注意到作品中作者对个性解放的呐喊同其基于封建伦理道德的婚恋观念
I. INTRODUCTION Stories of Liao Zhai and literary skills or ideological level are both the peaks of the Chinese quirky novels. The story of the true fairy tale of the common people and fairy monsters, Or chilling ridiculous degeneration of human nature, or cynical fox dedication to nature. Among them, the works related to the theme of love and marriage account for a quarter of the whole novel, which arouses scholars’ extensive research. It discusses Pu Songling’s love and marriage mentality and creative psychology from the perspective of psychology. However, few people noticed the author’s cry for the liberation of personality and his idea of marriage and love based on feudal ethics