广东汉剧自有专业编剧的历史以来,真正能跻身先进水平行列的剧作家为数不多,能接连写出新剧本并连续在广东获奖的唯有丹青,前无古人。 丹青创作的广东汉剧文学剧本数量多质量高,题材以挖掘传统剧目取其素材进行重新创作的为多。若论丹青剧作艺术成就,我觉得有几点值得一提。 广东汉剧的传统剧目本子多为师传手抄本,一部分是题纲戏,良莠混杂,文学性差,粗糙庸俗的情节、内容比比皆是。我们看丹青取材于传统剧目和改编的传统剧目,《昭君行》、《憾恋》读起来如同诗剧,《花灯案》、《包公与妞妞》、《寒衣谜》、《玉筝记》等剧本文采典雅华丽,古代人物的语言用现代语法和古代词汇恰当结合,从文学上造成远近感知,具有文学阅读 Guangdong Han Opera has its own professional screenwriter history, the real ranks among the advanced ranks of the few dramatists can continue to write a new script and the continuous award-winning in Guangdong, the only Danqing, unprecedented. The number of scripts written by Dan Qing in the dramas of Cantonese dramas is of high quality and quantity, and the theme is to recreate the traditional repertoires based on their material. If Danqing plays artistic achievements, I think there are several points worth mentioning. Most of the traditional repertoire of the Cantonese dramas are manuscripts copied from the masters of the Cantonese opera, some of them are thematic dramas, mixed with good and bad, poor literature, crude vulgar plots, and abounding in content. We look at Danqing based on the traditional repertoire and adaptation of the traditional repertoire, “Zhaojun line”, “regret love” reads like a poem drama, “Lantern Case”, “Bao Gong and Niuniu”, “winter clothing mystery”, “Yu Zheng Ji” Elegant and glorious script, the ancient characters of the language with the appropriate combination of modern grammar and ancient vocabulary, from the literature to create perceived distance, with literary reading