钱载历康雍乾三朝,诗文画兼善,其文学思想至今未得到应有重视。其文学本体论主张“文章以适于治道者为贵;”文学创作论强调博览经史,卷轴古今;地域与文学的关系,提出合南北两长,推尊“朴秀”。深婉与灵动双重特质的展现;考据、书画、文才的三位一体;作为人生态度与艺术风格的弘润;典丽与空洞的悖反,广涉钱载散文,是钱载文学思想的生动实践。钱载散文与桐城派关系密切,然亦有鲜明个人特色,应在清代散文史中占一席之地。 Qian Li Kang Li Yong dry three dynasties, poetry and calligraphy both good, so far his literary thought should not be given due attention. The literary ontology advocated that “the article should be suitable for the governor.” The literary creation theory emphasizes the history of the Expo, the ancient and modern times of the scroll, the relationship between the region and the literature, and proposes that the two sides should be both south and north and promote “Park Sau”. As a manifestation of the dual traits of deepness and dexterity, the textual criticism, calligraphy and painting, and the literary talent Trinity; as a human life attitude and artistic style of Hongrun; classic and empty contradictions, involving a wide range of essays, is a vivid practice of Qian Zai’s literary thoughts. There is a close relationship between the money-carrying prose and the Tongcheng School, but there are also distinctive personal characteristics that should take a place in the prose history of the Qing Dynasty.