中国画在20世纪经历了一系列的存废、转向、变革的论争,进入新的世纪依然面临转型、创新的不同解读以及重新认识。尤其是在今天,市场逐步成为主宰艺术一切的新的权力话语。一方面中国画尚未脱离美术学院而独立演化,另一方面美术学院由于一味地 In the 20th century, Chinese painting has undergone a series of debates on saving, turning, and changing. In the new century, the Chinese painting still faces different interpretations of transition and innovation as well as re-cognition. Especially today, the market gradually becomes the new power discourse that dominates everything in art. On the one hand, Chinese painting has not evolved independently from the Academy of Fine Arts but on the other hand, the Academy of Fine Arts