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近些年来,我国电影市场正在飞速发展,无论是总体影院数量还是票房水平都取得了显著的增长。电影院作为一种新的公共性空间,虽然其历史只有百年左右,但其发展速度非常惊人。尤其是今年来随着经济的发展,传统的单厅影院渐渐被淘汰,取而代之的是依存于大型商业空间内的多厅影院空间。一个优秀的多厅影院空间作品除了能够让消费者享受极致的视听盛宴之外,还应为观影者提供一个或舒适,或奇异的难忘光影空间。而消费者选择与否则直接影响了影院的盈利能力和水平。本论文从空间设计的角度出发,以观影者观影的行为动线所经历的各个空间来分析多厅影院的声光设计要点,其中重点解析影厅空间的声光设计。从中总结规律,这是本文研究的主要目的。
In recent years, China’s film market is rapidly developing, both in terms of the overall number of theaters and box-office levels have achieved significant growth. As a new public space, cinema has only a hundred years history, but its development is very alarming. Especially with the economic development this year, the traditional single-room cinema has been gradually eliminated and replaced by the multiplex cinema space in the large-scale commercial space. In addition to providing consumers with the ultimate audiovisual feast, an outstanding multiplex cinema space project should also provide spectators with a memorable or singular unforgettable light and shadow space. The consumer choice or not directly affect the theater’s profitability and level. From the perspective of space design, this thesis analyzes the main points of acousto-optic design of multi-theater cinema based on the perspectives of the cinematographer’s action. The acousto-optic design of the cinema space is mainly analyzed. From the summary of the law, this is the main purpose of this study.