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《真空》 我只想反映一个现实,艺术生活和从艺者的一个状态——理想和奢望。灯光的配制只是漂亮物质的影子,它宽泛而占有空间,佛性和人对艺术的执著性存在形式和意义的近似,物质的存在与佛性的南辕北辙,隐喻艺术与现实扭不断的矛质内涵,一种困顿、一点自大、一大堆看似漂亮的矛盾。 《沉鱼落雁》 作品旨在诉说温馨校园的泡沫爱情。在温暖、平静的湖面投入爱情的爱征物——气球。因“适者生存”的道理,这些爱情会在展示的过程中不断破裂,而爱的种子(气球)却不断落水。《窗外》 意在记录,陈呈当代知识分子的生活状态——憧憬、虚幻而又略带忧伤的精神特征,这似乎与“十年寒窗”有着某种或近或离的关系。
“Vacuum” I just want to reflect a reality, a state of art life and entertainer - ideal and extravagant. The preparation of the light is just the shadow of the beautiful material. It has a wide space and possesses the similarities and differences in the form and meaning of the perseverance of the Buddha nature and man, the contradiction between the material existence and the Buddha nature, the metaphorical art and the connotation of the contradictory reality , A kind of sleepy, a little arrogant, a lot of seemingly beautiful contradictions. “Fishy Goose” works designed to tell the warm bubble love school. Love in the warm, calm lake into love - balloon. Because of “the survival of the fittest,” these love will continue to burst during the show, while the seeds of love (balloons) continue to fall. “Out of the Window” is intended to record the present state of life of contemporary intellectuals - longings, illusory and slightly sad spiritual features, which seem to have some kind of proximity or dissociation with the “ten-year cold window.”