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在传统中国山水画的艺术星河之中,五代赵幹的《江行初雪图》、北宋范宽的《雪山萧寺图》、元代黄公望的《九峰雪霁图》,再到近代李可染的《昆仑雪山图》,均属传统国画之中以冰雪为主题的画中佳作和精品。历代冰雪画家大多采用中锋勾勒和烘染留白的画法表现美丽的雪景。而当代冰雪画家李兵却用“块斧劈”表现西域雪山莹洁而丰富的景致。“块斧劈”是他通过对雪山光影变幻的仔细观察和精研小斧劈皴、大斧劈皴,并加以大量的实践探索出来的雪山画法。他笔下的雪山,随着太阳、云彩的变幻和从早到晚的时间推移而呈现出不同的景象,他笔下的雪山或灿烂夺目、或银装素裹、或腾云拨雾、或身披红霞。作为画者的他完全把自己融入到雪山胜景之中,纯粹地把自己交付给苍茫大地,并通过手中的笔墨,将圣洁的自然景致酣畅淋漓地挥洒于纸上。于是,就有了这一座座巍峨、圣洁、雄壮、大美的雪山;于是,观者就能透过这一座座雪山,触到一个高洁、刚毅、淳朴的灵魂。
In the art of traditional Chinese landscape painting Xinghe, the Five Dynasties Zhao Gan’s “The first snow map”, the Northern Song Dynasty, Fan Kuan’s “Snow Temple”, Huang Yuanwang Wang Yuanwang’s “Jiufeng Snowy map”, and then to the modern Li-dyeable “Kunlun Snow Mountain Map”, are the traditional Chinese painting among the snow-themed painting masterpiece and boutique. Ancient ice and snow painters mostly use center sketching and baking blank paintings show the beautiful snow landscape. However, contemporary ice and snow painter Li Bing used “block ax split ” performance of the western snow-capped mountains and clean and rich scenery. “Block ax split” is his through the snow-capped mountains of light and light changes in the careful observation and research ax, split ax, and to explore a lot of practice out of the snow-capped mountains paintings. The snow-capped mountains in his book show different sceneries as the sun and clouds change and from morning to night time. The snow-capped mountains in his paintings are brilliant or silver-tinted, Hongxia. As a painter, he completely integrated himself into the scenery of snow-capped mountains and brought himself to the vast land purely. Through the ink in his hands, he drank the holy natural landscape onto the paper. Thus, there is a towering, holy, majestic and beautiful snow-capped mountains; so the viewer will be able to touch a noble, resolute and honest soul through this snow-capped mountain.