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琵琶演奏艺术中,左手的演奏技法是非常丰富而繁杂的,相较于右手技法,它能更直接、更融洽,且非常自然流畅地在弦上表现出乐曲风格及情感内涵等方面。一琵琶演奏的整体与局部在琵琶演奏中,除了在左右手配合默契的条件下演奏出谱面的基本内容外,其整体乐曲的意、神、韵,则是琵琶审美的整体取向。“意”为意境、内涵;“神”为继承、揣摩;“韵”为气韵,亦是中国艺术的最高审美范畴,在音乐中一般指一种风格,在这里不将其单一地看作是一种风格。“气是宇宙万物的生命,是一切艺术的本体;韵是气的一种运动
In the art of playing pipa, the performance technique of the left hand is very rich and complicated. Compared with the right hand technique, it can be more direct and harmonious, and naturally and smoothly shows the musical style and emotional connotation in the strings. The whole and part of the pipa performance In the pipa performance, in addition to the basic content of playing the spectrum surface under the condition that the left hand and the right hand cooperate with the tacit understanding, the overall orientation of the pipa aesthetic is the meaning of the overall music. ”Meaning “ as the mood, meaning; ”God “ as inheritance, try to figure out; ”rhyme “ is the charm, is also the highest aesthetic category of Chinese art, in music generally refers to a style, not here It is seen as a single style. ”Qi is the life of the universe, is the body of all arts; rhyme is a movement of qi