任何艺术样式都有其独特的思维方式,戏剧亦然.纵观近年来的戏剧舞台,有些称之为戏的戏,看完无戏,这也是造成观众疏离,戏剧不景气的原因之一.戏剧有戏剧的思维规律,我们只有掌握了它的规律,才能游刃有余地从事创作,否则,必然是事倍功半,甚至一无所获.也就是说,我们应该从编导的角度,审视戏剧失落的原因,应该先治“本”。实践证明,几个作者同到一个地方体验生活,搞同样的调查,面对同样的人物、同样的事件,有的人就能抓住题材,有的人却一无所获。这与是否用戏剧思维方式 Any art style has its own unique way of thinking, as is the drama.While looking at the stage of the drama in recent years, there are some that are called theatrical performances and those who are watching the noisles are also one of the reasons why the audiences are alienated and the drama is sluggish. Drama has the rule of thinking in drama. Only by grasping its laws can we creatively work with ease. Otherwise, we will inevitably do more with less, or even nothing. That is to say, we should examine the reasons for the loss of drama from the perspective of director. “this”. Practice has proved that several authors go to a place to experience life and engage in the same investigation. Faced with the same people and the same events, some people can grasp the theme while others find nothing. This is whether or not to use dramatic ways of thinking