中国的话剧,无论从编剧、导演、表演以及其他门类,为要走向成熟,自立于世界话剧之林,必须把目光投向世界话剧界,并且要对世界话剧史进行纵向扫描,看其流变,探其规律,取人之长,补己之短,扬己之长,超人之长。只有这样,中国的话剧才能真正走出自己的道路,树立自己的风格,确立在世界话剧诸雄争霸态势中的“这一个”霸主地位。 In order to become mature and independent in the world of drama, China’s drama, whether it be from writers, directors, performances, or other categories, must turn its attention to the world’s theater of drama and make a longitudinal scan of the history of world drama to see its evolution, Exploring its laws, taking the long, make up for the short, self-made long, superhuman length. Only in this way can China’s drama actually go out of its own way, establish its own style, and establish the dominant position of “this one” in the world’s drama.