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深刻的风度是中国当代话剧亟需爆发的一种力量。从深刻的风度(雨果语)到思想的重量(李泽厚语),人类一直在艺术中寻求超越,超越庸常,超越沉重的肉身。批评家李静对当代中国文学艺术发出诘问:“有多少作品让我们感到生命的深刻肯定性?”[1]可谓一语中的,如何作答都难掩现实的尴尬。对于话剧艺术而言,它是否在发展的同时趋于完备?故事模式僵化生长,舞台空
Profound demeanor is an urgently needed force in contemporary Chinese drama. From the profound demeanor (Hugo language) to the weight of thought (Li Zehou language), mankind has been seeking in art beyond, beyond the ordinary, beyond the heavy flesh. Critics of Li Jing asked contemporary Chinese literature and art: “How many works make us feel the profound affirmation of life?” [1] It can be described as a language, how to answer it is difficult to cover up the real embarrassment. For the art of drama, is it developing at the same time tend to be complete? Story mode rigid growth, stage empty