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李煜、李清照的后期词作以“愁”与“孤独”为主要抒情基调,这些词作传达出的情感内涵具有宏观上的相似性。但由于词人身份、地位,包括性别的不同,使他们在苦难中各人缺失性情感体验的层次有所不同,因此反映在作品中便体现出同种柔情基调下的不同视点和强度。本文拟从二人在词作中对“闲”“空”二字的使用来研究他们在后期词中所呈现的情感差异。
In the later lyricist works of Li Yu and Li Qingzhao, “Melancholy ” and “Loneliness ” as the main lyric tone, the emotional connotation conveyed by these words has macroscopic similarities. However, due to the differences in their identities, status, and gender, the level of emotional experience experienced by each of them in suffering is different. Therefore, they reflect the different perspectives and strengths under the same kind of tenderness reflected in their works. This article intends to study the emotional difference they present in the later words from the use of the two characters in “idling” and “emptiness”.