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文来源上古东南族群仪式之人(巫)的裸身之文和西北族群仪式之人(巫)的毛饰之彣,在东南西北各族融合为华夏的过程中演进为帝王冕服,进而成为以朝廷冕服为核心的整个朝廷之文,即夏商周礼乐文化中的美的体系,再进而扩展为宇宙的普遍之美。在春秋战国的礼崩乐坏中,文的体系中的绝大部分色、声、味的美,都成了只满足人的欲望的享乐对象,失去了原来文的整合性中的政治-伦理和神学-形上意义,从而文成为饰,而遭到道墨法各家的攻击,只有文字之美仍保持着原来文的整合性中的政治-伦理和神学-形成意义,这样,文成了狭义的文字之美。中国美学的文的意义,正是在这一历史过程中形成的。
Text Source: The Southeastern Ethnic Ceremonies (Witch) The naked culture and the Northwestern ethnic ceremonies (Witch) hair decoration in the process of integration of ethnic groups in Southeast Asia into the imperial crown suit, and then become a The whole imperial court’s writings, the system of the beauty of the Xia and Shang Dynasties and rites and music, further expanded into the universal beauty of the universe. In the spring and autumn and the fall of the times, the vast majority of the color, sound and taste in the system of writing have become objects of enjoyment that only satisfy human desires, and have lost their political-ethical character in the integration of the original text And theology - metaphysical, so that the text as a decoration, and was attacked by the various schools of Tao Mohism, only the beauty of the text still maintains the integration of the original text of the political - ethics and theology - to form the meaning of the article into a narrow sense The beauty of writing. The meaning of Chinese aesthetics is exactly formed in this historical process.