近年来的中国战争题材影视作品均改变了以往宏大的叙事风格,弱化或消解了某些人们对于战争原有的概念。本文以电影《集结号》为代表,从解构战争意义,描现边缘人性,意义地追求与消解三个方面来探讨其中体现出的后现代性因素。 In recent years, the Chinese war film and television productions have all changed the ambitious narrative style in the past, weakening or eliminating some people’s original concepts about the war. This article takes the film “assembly number” as the representative, explores the postmodernity elements reflected in it from three aspects: the significance of warfare, the description of marginal human nature, the pursuit of meaning and the resolution.