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不按套路出牌的多线叙事、快速剪辑铺展人物群像、段子手式的有趣对白、凌厉畅快的暴力镜头,这位痴迷街头黑帮文化的英国“富二代”导演在他每一部作品中都烙上了独特的印记。桀骜不驯的盖·里奇常被看作是英国的电影顽童。他的作品随性而为,打破常规。他不歌颂完美的道德,镜头下净是酒精、大麻和犯罪。他的影片风格强烈,一切都只是一场游戏似的狂欢,交织的线索化作一次快感,谜底揭晓伴着戏谑和乖张。处女作《两杆大烟枪》用160万英镑赢得2800万的票房;星光熠熠的《偷拐抢骗》成了英国影史上最卖座的影片。基情四射的《大侦探福尔摩斯》,告诉全世界文学名
The multi-line narration of non-routines, the rapid editing of drafts of portraits, the interesting dialogues of dances, the fierce and violent scenes of violence, the British “rich second generation” director obsessed with street gang culture, Works are branded with a unique mark. Rebellious Guy Rich is often seen as a British movie naughty boy. His work is casual and breaks the routine. He does not praise the perfect morality, under the net lens is alcohol, marijuana and crime. His film style is strong, everything is just a game-like carnival, intertwined clues into a pleasure, the mystery revealed accompanied by joking and perverse. The debut “Two shots” won 28 million at the box office of £ 1.6 million; the star-studded “Stealing and Cheating” became the best-selling movie in British film history. Enthusiastic “Sherlock Holmes”, told the world of literature