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在中国的古代壁画以及民间彩绘中,“色彩”的运用可谓历史悠久,并形成其独特的文化内涵和艺术风格。在原始时期的岩画中色彩基本以红、黑、白为主;西汉时期彩绘帛画中的色彩以朱、黄、绿、青、白、黑等为主:魏晋隋唐时期的敦煌壁画、永乐宫壁画、北京法海寺壁画以及麦积山、炳灵赤等石窟的壁画在用色方面更为斑斓华丽,大多以青、绿、铜黄、朱、金、银、宝蓝等为主;清代时期的着色多采用洋红、洋绿等外国颜料,以5种色或6种色涂染,主要运用在彩色木版年画之上。
In China’s ancient murals and folk painting, the use of “color” is a long history, and formed its unique cultural connotation and artistic style. In the primitive rock paintings, the colors are mostly red, black and white. The colors of the painting in the Western Han Dynasty were mainly Zhu, Huang, Green, Qing, Bai and Black. The Dunhuang frescoes in Wei, Jin and Sui and Tang Dynasties, Frescoes, murals of Fahai Temple in Beijing, murals such as Maijishan and Binglingchu are more beautiful and gorgeous in terms of color, most of which are mainly green, green, bronze, Zhu, gold, silver and sapphire. Qing dynasty Period of coloring and more use of magenta, ocean green and other foreign pigments, 5 kinds of colors or 6 kinds of color dyed, mainly used in color woodblock New Year pictures above.