论文部分内容阅读
父亲李盛斌在富连成科班时,先学丑行,后改武生,艺术上得到叶春善、萧长华、王连平等先生的严格训练,是“盛”字科的大师兄。 1949年到苏州时,他带艺从戎,参加了中国人民解放军10兵团京剧团。部队首长见他将自己的全部戏装献了出来,特把一支小手枪赠送给他以示纪念。10兵团京剧团南下至福建后不久,转成福建省京剧团。1959年,父亲离开剧团,担任了福建省京剧学校校长一职。同年,他应中国戏曲学校之邀,赴京给钱浩梁等人传授了《伐子都》、《界牌关》等戏。周恩来总理看过钱浩梁演出《伐
When his father, LI Sheng-bin, became a disciple of Fulian into a science class, he first learned his ugly behavior and later changed his martial arts. He was rigorously trained in art by Mr. Yeh Chun-shan, Xiao Changhua and Mr. Wang Lianping, and was a big brother of the word Sheng. When he arrived in Suzhou in 1949, he took art and joined the Peking Opera Troupe of the 10 Corps of the Chinese People’s Liberation Army. The chief of the armed forces saw him dedicate all his costumes and presented him with a small pistol for commemoration. Corps of 10 Corps southbound to Fujian shortly after the turn into the Fujian Provincial Peking Opera Troupe. In 1959, his father left the theater, served as president of Fujian opera school post. In the same year, at the invitation of the Chinese Opera School, he went to Beijing to teach Qian Hao Liang et al. Premier Zhou Enlai saw Qian Hao-leung performance "cut