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在奥匈帝国称雄时的中欧,象征主义在奥地利的维也纳艺坛上也显得十分活跃:音乐上有居斯塔夫·马勒尔、舍恩贝格等;而美术上则首推居斯塔夫·克里姆特了。这位画家以独特的东方艺术美,尤其以他情牵意系的中国民间装饰艺术为主题,作为他可以描绘的女性形象的陪衬,借以关注人们生活中最敏感的课题——精神与肉体的矛盾与痛苦。这在欧洲的美术界引起了巨大反响,自然也免不了众多的争议,克里姆特既是争议的中心人物之一。
In the Austro-Hungarian Empire, the symbolism of China and Europe at the time of the Austro-Hungarian Empire also appeared to be very active in the Austrian Vienna art scene: Gustav Maller and Schönberger in music, etc., while Gussar Kremlin The artist, with his unique oriental artistic beauty, especially the Chinese folk decorative arts that he cares about, as a foil to the portrayal of the female figure in which he pays attention to the most sensitive issues in people’s lives - spiritual and physical Conflict and pain. This has aroused great repercussions in the art world in Europe. Naturally, numerous controversies are inevitable. Klimt is not only one of the central issues in the dispute.