本文所谈及的中国女性艺术泛指的是中国所有女性创作的艺术,包括一些优秀的作品。从历史学角度分析女性艺术家们从古至今在不同语境下所呈现的艺术活跃程度原因。从“三从四德”到西方女权主义思想,中国女性主体意识逐渐加强,女性画家在艺术领域的“地位问题”上展现出新的面貌。本文正是探讨这一变迁的历史必然性。 The Chinese women’s art mentioned in this article refers to the art of all Chinese women’s creative works, including some excellent works. From the perspective of history, this paper analyzes the reason of the artistic activity of female artists in different contexts from ancient to present. From “three from four ” to western feminism, Chinese female consciousness gradually strengthened, and female painters showed a new appearance in “status issue ” in the art field. This article is precisely to explore the historical inevitability of this change.