前面我们把京剧老旦艺术的发展历程,勾勒了一个简单的轮廓,但此中的不少艺术家都已成为历史,而一些上世纪五十年代至六十年代戏曲院校培养的老旦演员也已经陆续退出了演出舞台,目前占据舞台中心的则是“文革”以后成长起来的新的一代老旦演员。综观近些年来的老旦艺术舞台,有几 In front of us the Peking opera Laodan art history, outlined a simple outline, but many of these artists have become history, and some from the 1950s to the 1960s Opera institutions trained LaDadian actors have been Withdrew from the performance stage, the current center of the stage is the new generation of actors who grew up after the “Cultural Revolution”. Looking at the Laodan art stage in recent years, there are a few