民国刻铜文房是中国工艺美术史上极为绚丽的篇章,而陈师曾和姚茫父是刻铜艺术最有影响力的倡导者。其美学理念是对文人画的认同和倡导美术实用论。民国年间京城众多书画家参与了书画刻铜创作,刻铜艺术家技艺超群,书画艺术家与刻铜艺术家互相砥砺,通力合作,创造了刻铜艺术新的高峰。相同的艺术理念积极的艺术实践说起民国刻铜文房,陈师曾和姚茫父是最有影响力的倡导 The bronze room of the Republic of China is an extremely magnificent chapter in the history of Chinese arts and crafts, and Chen Shizeng and Yao Mufu are the most influential advocators of bronze art. Its aesthetic concept is the approval of literati painting and advocacy of practical art. During the Republic of China many painters in the capital participated in the creation of calligraphies and calligraphies, bronze artists excelled in painting, calligraphies and bronze artists teamed up with each other and worked together to create a new peak in carved bronze art. The same artistic philosophy of active art practice Speaking of the Republic of China carved bronze room, Chen and Zeng was the most influential advocate