科技是第一生产力推动着社会向前发展,所以新技术的诞生并不会导致某项传统的灭亡,相反会促进传统的发展。在摄影技术发明之初,架上绘画被认为遭受了灭顶之灾,然而事实证明架上绘画并没有消失反而从古典主义的束缚中解放了出来,继续丰富着艺术史。正如刘晓东说的那样:“我不相信架上绘画灭亡的论断,架上绘画在当代具有更大的重生的可能性,各种新的多媒体的发达使它变得更加具有不可替代性。”既然架上绘画不会消失,在于当代艺术语境下,架上绘画画什么?如何画?以及对于新兴视觉图像的应用就急需得到解决。法国后现代主义哲学家吉尔德勒兹的著作《感觉的逻辑》中的思想就可以部分上为我们的困惑加以解决。 Since science and technology are the primary productive forces that push forward the development of society, the birth of new technologies does not lead to the destruction of a certain tradition, on the contrary, it will promote the traditional development. At the beginning of the invention of photography, it was considered that painting on the shelves had been exacerbated. However, it turned out that the painting on the shelves did not disappear, but was liberated from the shackles of classicalism and continued to enrich the history of art. Just as Liu Xiaodong said: “I do not believe the conclusion that the painting is extinct, and the possibility of drawing a greater rebirth in the contemporary era. The development of various new multimedia makes it even more irreplaceable.” "Since painting on the shelf will not disappear, it is urgent to solve the problem of how to draw paintings and how to draw new visual images under the contemporary artistic context. The thinking in the book Logic of Sensation, by the French postmodernist philosopher Gildelez, can partly solve our confusion.