从希腊神庙的祭祀,到印度宗教的引用,再到中国戏剧的衍生,戏剧从来都是关注天与地,也关注人与神的世界。在中国,从勾栏瓦舍的最早民间戏剧表演,到徽班进京的宫廷式辉煌,中国戏剧一直驻足于人的心灵,强烈地关注着人的真实生活。 From the worship of the Greek temple to the reference of the Indian religion to the derivation of the Chinese drama, the theater has always been concerned with heaven and earth as well as with the world of man and God. In China, from the earliest folk theater performances in Gansha to the glorious palace in Beijing where the emblem class was introduced to Beijing, the Chinese drama has been based on human hearts and strongly focused on people’s real life.