司空图的《二十四诗品》在中国古典文论中占有十分重要的地位,其中,“含蓄”篇又是诸篇中的重中之重,更有学者认为其为《二十四诗品》的核心。本文仅以“含蓄”篇为焦点,对司空图的一些诗论观点进行后结构主义的解读,目的不仅是要提出一种全新的见解,更是企图尝试一次中国古典文论与西方当代文论的对话。本文认为,司空图“含蓄”诗论不仅预示了当代文论中有关“开放诗学”的理念,而且还具有与后结构主义的语言理论和符号学的指号理论相关的洞见。 Sikong’s “twenty-four poems” plays a very important role in Chinese classical literary theory. Among them, “subtle” is the most important part in all literary works. Some scholars think it is “twenty Four poems ”of the core. This article only focuses on the “subtle” articles. The post-structuralist interpretation of Sikhutu’s poetic views is not only intended to provide a new insight, but also attempts to try a combination of classical Chinese literary theory and western contemporary Dialogue of Literary Theory. This paper argues that Sikhutu’s “implicit” poetic theory not only foreshadowed the notion of “open poetics” in contemporary literary criticism but also had insights related to post-structuralist linguistic theory and semiotic theory of semiotics .