看了曾志灼编剧并导演的粤剧《三生》,真的是感到三生有幸——传统戏曲里有这样年轻的志者不仅在坚持和弘扬传统,并且在开拓创新与时代接轨,穿越古今传承华夏文化,传播粤剧魅力。具体说来有三幸。一幸《三生》继承粤剧传统,保持了粤剧的鲜明特色。在语言、唱腔上都保持了粤剧的原汁原味:白话、二黄和梆子唱腔;在唱腔上吸纳了粤剧先人前辈的精华,既有马腔的半唱半白,也有星腔的低回婉转、还有虾 Having watched Zeng Zhi-wen’s screenwriter and director of the Cantonese opera Sansheng really felt that Sansheng was fortunate. There are such young people in traditional operas not only insisting on and promoting tradition, but also keeping pace with the times and pioneering and innovating. Inheritance of Chinese culture, spread the charm of Cantonese opera. Specifically, there are three lucky. Fortunately, “Sansheng” inherited the tradition of Cantonese opera and kept its distinctive features. In the language, aria have maintained the authentic Cantonese opera: vernacular, Erhuang and clapper singing; in the singing on the absorption of the forerunners of the ancestors of Cantonese opera, both the mare’s half-singing half-white, but also low-back Mild, there are shrimp