论文部分内容阅读
现代设计当下的困境19世纪中叶,工艺美术运动[the Arts and the Crafts Movement]出现在经历工业革命数十年后的英国。威廉·莫里斯[William Motris,1843-1896]、约翰·拉斯金[JohnRuskin,1819-1900]等艺术家在这场反工业化,提倡手工艺价值的运动中,首次尖锐地表明了对于工业机制的反感与抵制:即便机械化生产引领了时代的进步,但由此带来的对于传统生活价值观与美感的践踏,仍然是无法接受的。莫里斯一辈的艺术家们明确地感受到:随着机械化大生产的广泛展开,人们昔日纤细的生活感受正被一点点剥夺殆尽。而这种缺失却恰恰成为对于现代设计思考的强大动力。我们熟知的现代设计
The dilemma of modern design The mid-19th century, the Arts and the Crafts Movement appeared in Britain after decades of industrial revolution. Artists such as William Motris (1843-1896) and John Ruskin (1819-1900), for the first time in their anti-industrialization campaign to promote the value of handicrafts, have for the first time sharply expressed their dislike for industrial mechanisms And Boycotts: Even though mechanized production leads the progress of the times, the resulting trampling of values and aesthetics of traditional life is still unacceptable. Morris’s generation of artists clearly felt that with the extensive mechanization of production, people’s slender feeling of life was being completely neglected. But this kind of absence has just become a powerful driving force for modern design thinking. We are familiar with the modern design