在叙事性文章中,语言和情节的重复会使读者产生懈怠厌烦之感,乃为文之大忌。然而在《史记·项羽本纪》中,司马迁安排情节、描写场面和人物时,却有意无意地多处重复,但读者却毫无懈怠厌烦之感。这是因为他的重复并非简单的重复,而是在重复中求得变化,同中有异,异中有同,对于表现人物性格、把握叙事节奏、流露感情倾向起了重要作用。 In narrative essay, repetition of language and plots will make readers feel tired and tired, which is a taboo for the text. However, in the “Shi Ji Xiang Yu Benji”, Sima Qian arranged plots, depicting the scenes and figures, but inadvertently repeated in many places, but the reader has no sense of relentless tired. This is because his repetition is not a simple repetition, but a change in repetition, a difference between the same and a difference between the two, plays an important role in expressing the character, grasping the narrative rhythm and revealing the tendency of sentiment.