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诗歌之美贵在含蓄,用极少的文字反映广阔的社会现实和诗人内心丰富的情感世界。而使用意象是实践这种审美标准的最佳途径,曹植擅用意象来写实和兴寄托喻,他诗歌中丰沛的情感通过所营造的意象向外发散。“女子”的意象在曹植的创作研究中历来受到广泛的关注,根据诗歌创作时间的不同分期进行探讨,不难发现,曹植前期诗歌中的“女子”意象大多是写实的,后期大多是托喻的,这也是形成曹植前后期诗歌风格相异的重要因素之一。
The beauty of poetry is subtle, with very little text to reflect the broad social reality and poet’s rich emotional world. The use of imagery is the best way to practice this kind of aesthetic standard. Cao Zhi is good at using the imagery as the realistic and the philistine. His abundant emotion in his poetry diverges from the image he creates. The image of “woman” has always been widely concerned in the research of Cao Zhi’s creation. According to the different periods of poetry creation, it is easy to find that the image of “woman” in the poems of Cao Zhi’s poems is mostly realistic, Most of them are metaphorical, which is also one of the important factors that lead to the different styles of poetry before and after Cao Zhi.