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本期《公共艺术的基础结构》是上期介绍《朗费罗栖息地的改造工程》内容的延续,本文介绍劳娜·乔丹和波斯特在设计公共艺术项目中的设计思想和公共艺术从物体倾向转移到“系统”审美的理念,重要的是他们在创造审美系统的同时揭示了自然的本质结构。从而我们看到艺术家从物象趋势过程进入一个系统审美建设的基础结构,她于城市基本建设相结合,从而改善发展了公共艺术自身。 另外,文章《公共艺术理念的一次实践过程》介绍了西雅图加费尔德文化中心比琳斯·布鲁瑟的作品,她从另一个侧面关注并揭示了公共艺术的本质。 任何一个专业一门知识,一个学科都有他自身体系的基础结构,在这里通过几篇文章从不同侧面介绍西雅图包括华盛顿洲其他城市公共艺术的产生条件、操作方式及通过公共艺术项目展示西雅图公共艺术部,公共设施部及艺术家对公共艺术的基础结构理念的实践。
This issue of “The Basic Structure of Public Art” is a continuation of the introduction of the “Reconstruction Project of Longfellow Habitat” in the previous issue. This article introduces the tendency of Laona Jordan and Post in designing public art projects. Moving to the “system” of aesthetic ideas, it is important that they reveal the nature of nature while creating aesthetic systems. From this we can see that the artist has moved from the trend of object-orientation into the basic structure of a systematic aesthetic construction. She has integrated urban infrastructure so as to improve and develop the public art itself. In addition, the article “A Practical Process of Public Art Ideas” introduces the work of Billings Bruce, the cultural center of Seattle, and she focuses on and reveals the essence of public art from another perspective. Any subject, discipline, or discipline has its own institutional infrastructure. From here, several articles describe the conditions for the creation of public art in Seattle, including other cities in the state of Washington, from different perspectives, how it is operated, and the Seattle public through public art projects The Ministry of Art, Ministry of Public Facilities, and the Practice of the Artists on the Concept of Fundamental Structure of Public Art.