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中国山水画写生倡导观物取象的学习方法,强调心灵对景物的升华作用,它涵盖了中国画表意写心的深刻底蕴。正如明代董其昌在《画禅室随笔》中写道:“读万卷书,行万里路,胸中脱去尘浊,自然丘壑内营,成立鄞鄂,随手写生,皆为山水传神矣。”画家走近生活、走进自然,在大自然中感悟山川万物的灵气和生机,对于山水画的创作具有非常重要的意义。
Chinese landscape painting advocates the learning method of taking objects as objects and emphasizes the sublimation effect of mind on scenery. It covers the profound meaning of Chinese painting ideographic writing. Just as Dong Qichang in the Ming dynasty wrote in Essays on the Painting of the Zen Chamber, he wrote: “Read thousands of books, walk thousands of miles, remove the dust from the chest, and dig into the inner Qiuzhai camp. ”Painter approached life, into the nature, in the nature of the mountains of aura perception and vitality of all things, for the creation of landscape painting has a very important significance.