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人学问题是任何文艺活动所无法回避的。当下影视创作在一定程度和层面上丰富了人们文化生活,满足了社会不同层次的精神需求,取得了令人瞩目的成绩的同时,也出现了一些值得关注的倾向,突出表现为对人物形象把握的偏差,将人的丰富内涵的辩证统一性予以割裂:有的影视剧作品在进行人物形象刻画时忽视、轻视乃至漠视人之为人的社会性、精神性与文化性的特征而陷入片面、单一地凸显人的生物性、动物性、自然性的泥潭,有的试图塑造能够超越不同社会历史条件具体限制的具有永恒“人性”品格的影视形象等等。而导致这些偏颇的根本原因在于不能正确认识和准确揭示影视活动中“人”这一范畴的丰富内涵。
Humanities problem is any cultural activities can not be avoided. At present, while the film and television production has enriched people’s cultural life to a certain extent and at the same level, fulfilled the spiritual needs at different levels of society and achieved remarkable results, some trends of noteworthy concern have also emerged, highlighting the mastery of characters Deviation of the rich connotation of human beings to split the dialectical unity: some of the film and television drama characters in the portrayal of characters ignore, despise or ignore people’s social, spiritual and cultural characteristics of one-sided, single To highlight the human biological, animal, natural quagmire, and some attempts to shape beyond the specific constraints of different social and historical conditions with eternal “humanity ” character of the film and television images and so on. The fundamental reason for these biases is that they can not correctly understand and accurately reveal the rich connotations of the category of “people ” in film and television activities.