1880年,德加《舞蹈课》与马奈个人展的同一时期,乔里-卡尔·于斯曼的《巴黎速写》首次出版。作者在之中的一系列描绘,记录了当时生气四射的巴黎社会万象。一系列精细逼真、浓墨重彩的写实文学手笔,勾画了女神游乐厅、马戏团的宏大场面与街头游走女人、栗子摊贩的众生相,在角落与片段中重建了一座晦暗又闪亮的“光之城”。如同早期印象派的手笔,《巴黎速写》打破了常规的视觉感受,移步最为细腻的官能感受和对情感色彩的捕捉,在时而华美时而猥亵的情节中偶露 In 1880, during the same period of Degas “Dance Class” and Manet’s solo exhibition, the first edition of “Paris Sketches” by Jolly Carl Uzman was published. A series of portraits by the author document the vivid Parisian society at the time. A series of subtle, vivid, full-color realistic literary handwriting, the outline of the goddess hall, circus grand scenes and street walking woman, chestnuts vendors beings, reconstruct a dull and shining light in the corners and fragments city“. Like the early Impressionists, ”Paris Sketches" break the normal visual experience, moving the most delicate functional feelings and capture of the emotional color, in the sometimes beautiful and sometimes indecent plot exposed