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在解构父权制话语控制之后,女性文学要开辟新局面就不能走向斗争的另一个极端。随着伍尔夫“雌雄同体”文学理论在中国的传播和接纳,中国女性文学创作在承认两性差异、女性在获得性别主体地位的前提下,兼顾男女两性的经验世界与生活感受,构建了两性和谐共存的文学关系模式,并在实践中进行探索,试图使女性文学创作进入一个新的纪元。
After deconstructing the control of patriarchal discourse, it is impossible for the female literature to open up a new situation to the other extreme of the struggle. With the spread and acceptance of Woolf’s hermaphroditic theory of literature in China, Chinese women’s literary creation admits the difference between men and women. Under the precondition of obtaining the dominant position of the gender, women take into account the experiences of both men and women in the world of experience and life, The harmonious relationship between the two sexes and the literary relationship mode, and in practice to explore, trying to make female literature into a new era.