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一、目前的研究状况同其他门类摄影艺术一样,文物摄影包含两个部分,一是理论、一是技艺;我想从以下三方面对文物摄影的理论进行一点探讨:艺术表现原则摄影表现中的逻辑关系问题摄影表现中的视觉体验研究总体说来,这三方面所研究的都是寻求更好地完成摄影表现的规律,也就是摄影美学问题。对于摄影美学的研究,国内摄影界所做的工作较多地侧重于社会题材摄影作品。对于摄影中的逻辑关系问题,国内摄影界多是在思考美学问题时有所涉及,没有把它提出来作为对摄影技法的指导性问题来加以研究。对视觉体验的研究是近年来刚刚引入国内、并引起摄影理论研究者的重视的一门新理论,但目前还没有被摄影实践者所广泛应用。
First, the current research situation As with other categories of photography, heritage photography consists of two parts, one is theory, one is art; I want to explore the theory of cultural relics photography from the following three aspects: the principle of artistic expression photography performance Logical Relationships The Study of Visual Experience in Photographic Performance Generally speaking, all these three aspects are studying the law of seeking better performance of photography, that is, the problem of photographic aesthetics. For the study of photographic aesthetics, the work done by the domestic photography community focuses more on photographic works of social themes. For the issue of logical relations in photography, most of the domestic photography circles involved in the thinking of aesthetics problems, did not put it as a guide to the photography techniques to be studied. The study of visual experience is a new theory which has just been introduced into China in recent years and has attracted the attention of photography theory researchers. However, it has not been widely applied by photography practitioners at present.