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英国电影导演大卫·马肯兹以身体叙事建构自己的电影世界,并通过身体进行性别政治、阶级政治的思考。本文首先从主题结构、人物关系两个方面分析马肯兹电影作品中的身体叙事及身份政治,试图在身体话语与文化政治的意义互动中阐释其作品中的人物书写,从而揭示铭刻在身体之上的充满张力的人性意味以及政治内涵。文章最后,从声音、色调、镜头等角度分析其独特的电影语言体系与影像风格。
British film director David Mackenz constructed his movie world with his body narrative, and made his body think about gender politics and class politics. This article first analyzes the body narration and identity politics in the works of Markenz from two aspects of thematic structure and the relationship between characters, tries to explain the writing of characters in his works in the interaction of the meaning of body discourse and culture politics, Full of tension on the human nature and political connotation. In the end, the article analyzes its unique movie language system and image style from the aspects of sound, hue and lens.