北野武,有“日本电影新天皇”之称,亦是日本导演中坚力量的旗手。《那年夏天宁静的海》带我们回忆了那个夏天的一片大海,一对情侣,一个冲浪板。影片安静与喧嚣并存,大海与蓝天相印,温情与冷漠交替。几乎为默片一般的电影,主人公多以表情与动作传递着情感,以无声震撼人心,虽无言,却情深。北野武的暴力与温情如菊般淡雅,香气似有若无,又如刀般犀利,一针见血酣畅淋漓。 Kitano Takeshi, a “new movie star of Japanese cinema”, is also the standard-bearer of Japanese directors. “The peaceful sea of ​​the summer” tells us a sea of ​​summer, a couple, a surfboard. Video quiet and noisy co-exist, the sea and blue sky, warmth and indifference alternately. Almost silent film as the movie, the protagonist more emotion with emotion and expression to silence people, though speechless, but deep love. Kitano Takeshi’s violence and warmth, such as chrysanthemum-like elegance, if the aroma seems absent, but also sharp as a knife, a sharp heart dripping.